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Behind the Scenes Journal

3 Days of the Freeman – Part 3

DAY TWO

Saturday the 3rd of January

Camera Crew

Day 2 presented a new set of challenges. We would for the first time have practical effects during action sequences, running, shooting, and the first test for the HEV suit. Even at the end of the first day the wear and tear was significant. Nothing our awesome costume person couldn’t handle but any severe damage would mean stopping to fix it and time was never on our side.

_DSC0018_1Call time was at 6:30. We had several scenes to get on day 2 that were missed in the first day.  Day 2 was a massive day already so the crew had its work cut out. We had two action scenes, the opening and closing the film plus the G-Man and the films villain coming into to do some HECU bidding.

The first shot of the day was that of two marines watching over the building that the heros have just entered.  It’s a big hats off moment to the games writer and the marines are appropriately called HECU MARINE MARC and HECU MARINE LAIDLAW.

_DSC0012_1The morning started off well but things are hurried on a film like this.  It’s like a train going down the line. Sometimes making changes or rerouting can seriously slow things down.  Most of the time it’s better to let the train carry on and do the best you can. But in the hustle, small errors can creep in. For example I always imagined the villain wearing a camo T-shirt and a red beret.  But on the morning of the shoot it was so cold it would have been torturous to do that to the actor. So the costume gal put him in full fatigues. By the time it came time to shoot his scenes it was more than warm enough for the t-shirt, but by that time we are moving so quick it was too late. In the end it worked out for the best as it looked better with no t-shirt.

_DSC0010I really wanted to set the villains look apart in the episode, but I think you have to sometimes settle. With tiny budgets like this, this type of stuff happens a lot.  We did it in other ways anyway. For example, I was not personally a fan of portraying the US military as villainous, so I did little things to make them different from real Marines. Which is funny because worked we so hard to make everything look like legit Marines. In the film the villain wears his beret on the left instead of the right. Like a mirror image, evil twin or something like that. He’s not quite right. Also a nod to any real marines that were not mass exterminating innocent civilians during their time in service. We had a great military advisor on set and he would run around fixing everything to look perfect. I’m sure he probably thought I was a loon, following him around, making it look wrong again.

_DSC0033_1After we shot the MARC LAIDLAW scene it was followed up with a small scene between Jaegar and some soldiers, next was an action scene with Freeman and Evan being pursued by the HECU.  This was one of the first scenes in the movie and it contained some exchange of gunfire, running and explosions.  It also has a very small stunt with Freeman that had us very concerned about damaging the suit.  In this scene the two heroes are almost blown up and I had this plan to set off the air cannon while simultaneously blowing up one of these C02 grenades to make a huge bang.  The purpose being to get a real look of shock from the two main stars.  I told all the crew members and the art art FX team rallied to get the surprise effect to go off.  The only two that didn’t know were Bernhard and Mike, AKA Freeman and Evan.

_DSC0091_1The scene had some complex timing, the guys had to shoot at marines then take cover and we had to blow the air cannon, then they had fo fall.  It had to be timed out perfectly.  I called action, the C02 grenade fired with a hell of a bang and shocked the shit out of the main actor. However the Air cannons that blew the debris were late so he was sort of stunned for a second before debris fell on him. Hopefully there is some way to cut it so that it works.  Not sure yet.  Bernhard was not so stunned, maybe because he was so deep in character but more likely just so tired and over all the running around in the heat. Either way it worked really well for the moment. Shell shocked, worn down, hopeless. It was pretty awesome.

_DSC0117_1At the end of the scene, was lunch, the crew directly involved in the scene stuck around to get some additional close up shots and work through lunch.  This was the type of people working on the film, guys and gals that didn’t really care about lunch, they sucked down a red bull and got on with the shots.  It was marvelous.  The close ups made the scene. Fuc#ing Perfect!

_DSC0086_1After lunch we went back to the same location to shoot the final scenes in the film.  We had a big scene with the G-Man and the finale with Jaegar.  The sun started to leave us really quickly.  This was the firs time it was decided to split the cameras.  One stayed to shoot the G-Man the other to Jaegar.  I was disappointed because I had to choose which performance to direct and it meant less coverage of each scene.  It was a compromise I had to make to get the film.  Production is expensive and there was no way to extend the filming or money to do it even if permits allowed.  It had to happen Saturday and Sunday.

_DSC0024_1Splitting the crew helped but it also slowed things down.  We had to really simplify the the work with the G-Man and the numerous green screen shot and plates made things go really slow.  Not that things were moving slow, most of the time, at least for me the pace was frantic, but its just a lot of shots of the same thing.  I was really happy with the performances and moved inside for the final scene of the day.

_DSC0136_1This is where things took a turn for the worst.  The light was fading too quickly and the scene being indoors was relying on external light sources.  We frantically tired to capture what we needed as the light faded.  It ended as more of a rolling rehearsal as the day closed, I felt a lot of tension and there were some crossed words. It was not a great way to end the day and I was upset and frustrated that I did not get the scene at all.

_DSC0149_1The first part of the day had gone well and we had captured a lot of stuff, the second part of the day had worked out well splitting the crews, but we needed more light.  More money would have meant more crew and lights and we could have been prepared for the lack thereof.  But it is what it is. You compromise where best you can and then figure out how to pick it up the next day.

_DSC0187_1At days end me and Bernhard went immediately to the production office (AKA Cafe 101) and sat down with the script.  There was now too much script for the time we had left to shoot.  We had to make some decisions.  What could we do without?  We started the process by combining some scenes that were in different locations.  This helped with setup times and we felt pretty good about that. The only thing being lost was really cool locations, and one was particularly awesome.  It was underneath the control room and it was very spooky.  During the second site visit we talked about even the possibility of adding an extra headcrab scene there. After everything is shot this spooky set appears only in my memory. I dont even have any stills of it. Cut.

The second thing we cut was a small scene with a lighter moment I mentioned earlier. I wasn’t too unhappy to see this go, as I really am going for a very dark tone. Cut.

_DSC0208_1We made some final cuts to dialog and combined a couple more moments and it was done.  We had our last day planned.  It was still like two days worth of stuff, but a far cry from where we started.

Up Next the FINAL DAY…

 

 

 

 

Categories
Behind the Scenes Journal

3 Days of The Freeman – Part 2

DAY ONE

Friday the 2nd of January

_DSC0032I woke at 5 am on the first day. We had decided to go with a slightly later call time of 7am. It was literally freezing in LA. In all the years I spent there I never saw ice. First day of shooting, windows iced up.

Myself, Bernhard and the cinematographer Clay were able to go to the location a couple of days before and try to plot out some shots, so I felt we had a pretty good handle on the first day.

The first shot of the day was in the control room.  It was actually a shot that wasn’t necessary for the film to work, but with the way the schedule had worked out we ended up having a lighter first day, so some control room shots were moved there.  _DSC0016A lighter first day gave everyone the opportunity to get to know each other and figure out what was going to be happening the next 3 days. The camera, lighting and G&E guys set up the first shot and the art department set up the second location which was turret room. It seemed as though things were looking good.

Prior to filming and a year or more before, Bernhard and I spent a lot of time talking about the Freeman character. This is interesting because there was much back and forth on how much dialog Freeman should have. From none, to that of a normal character.  I certainly felt that Freeman would talk, traumatized, feeling responsible, shell shocked, etc. but Bernhard also felt strongly about the challenge of character with little or no dialog.

_DSC0028Bernhard took the role very seriously.  If he was standing for a shot or picture he would assume a pose of Gordon Freeman. By that I mean a Freeman pose like that you see in the official valve art work. He would cock his head or pose his arms exactly like Freeman.  On the day of the shoot he was so serious about staying in character and keeping the production moving that he drank almost no water. Getting in and out of the suit was not the easiest.  About 3/4 of the way through the first day he was starting to pass out from dehydration. What we hadn’t factored in was the about of fluid he was losing in the suit. It wasn’t showing. It was just wicking down to his boots. _DSC0025There will be a special bit in the features on where all that water ended up. Pretty nasty.  Anyway we decided stopping for a break was better that stopping for paramedics so he had some red bull and we pressed on, it was all adding to the character anyway.

By noon we were running behind.  A long way behind.  Things were moving way slower than I had hoped. The lighter day was a slow day which was not ideal.  It was no ones fault, it was an action movie on the budget of a… well i don’t know.  Not an action movie. After noon its a bit of a blur.  We shot a lot of coverage of the turret room and then we were at lunch.  _DSC0037After that we changed a couple of things up to try to make up time.  That helped, but by the end of the day we had missed a large action scene in the end of the film and a bunch of flashback stuff.  We ended strong with a nice walk and talk but that was not enough.  Day 2 and 3 were now gonna be more of a challenge than ever.

Throughout the day everyone hustled the entire time.  It was something to behold. The was no moaning or complaining. Just hard work.

_DSC0027The first episode, Enter the Freeman, I had added a few digital effects.  All 2D except for one bullet coming out of a gun in slow motion 3D.  There wont be single frame in Episode 2 that doesn’t contain some kind of digital effect.  Many of them in 3D.  Enter the Freeman was shot with one Nikon DSLR at 1080p (around 20Mbps) over two nights, with work lamps from home depot and a cast and crew of 8.  It worked because the story and location were simple.

The second episode was shot on 2 Sony F55 motion picture cameras at 4K (RAW around 1000Mbps) over 3 days at numerous locations within a Los Angeles power sub station.   We rented gear from several rental houses and vehicles to transport it and had 25 to 30 cast and crew on set.

The production has many times the scale of the first. It shows in the footage. Each person that donated owns a piece of this production.

_DSC0035Just out of interest the Edison substation transforms a quarter of a million volts coming out of a hydro electric power station in the nearby mountains, down to about a quarter of Los Angeles.  It’s fully functioning. During one of the safety walkthroughs on the second level the site reps safety instructions were “don’t put your hands up over your head.  Reduce the risk of an arc to earth via human being”. Nice.

Also as I write this I have finished syncing the audio and video of the movie and editing will begin.

Day 2 coming soon.

 

 

 

 

Categories
Behind the Scenes Journal Pre-production

3 Days of The Freeman – Part 1

1Directors Diary

So I am going to try to give an account of the production as best as memory serves.

I will try to avoid spoilers as much as possible. Here goes…

The days before

The days before were filled with calamity, but that seems to be how it always is with films that are low budget. When I started ramping up the production I knew the script was overly ambitious, even in its form at the time it contained a lot of difficult and time consuming scenes.  5 pages of indie film per day is certainly doable, the problem is this film is nothing like your typical indie. It’s basically a 15 minute action movie interspersed with some dialog. When Bernhard (who is a great writer) found himself with the time available to work on the script I asked him to take over.  I was balancing an insane work and family schedule.  Bernhard however also had aspirations for a great action movie so the script continued to move out of the realms of what was possible and into crazy, awesome action movie.

2It had already been quite a battle for me getting everything ready for the production.  Script, props, costumes, actors. Until the shoot was close the active number of people working on the film was only a few.  In the last month or so before the production started the numbers of people involved started to grow and so did my aspirations for it. And so it continued to grow.

4It dawned on me while I was trying to get the LAFD fire permit about 1 hour before the they closed on New Years Eve, that this project was no longer a small episodic crowd funded by some loyal fans. It had become something more.

After a long delay and attempts at production in June and September, we finally settled on the first few days of the new year to get principal photography out of the way.

3As we crewed up, new people came on board the cast and crew grew to 30.

Producer, Director, Cinematographer, 2 Camera Operators, AC, Gaffer, Key Grip, Sound, Production Designer, Weapon Master, Makeup, Costumer, Practical FX, Script Supervisor, VFX Supervisor, Documentarian, Production Assistant and a cast of more than 10.

So as I tried to fill in the fire permit forms on my phone, while driving across LA to meet with the actors for the first time, the realization that it was happening suddenly hit.  With finalization of the location the production suddenly became real. I held the phone in one hand and my credit card in the other and hit send on the $250 Commerce City permit and $501 fee to the LAFD.  It was a go!  One last day before 3 of the most important days of my life.

Somehow we had all the other people involved at this stage thinking this was gonna somehow be possible.  A crazy script, with numerous costumes and weapons, significant makeup, blood and dirt effects, full sized headcrab monster costumes, dust, wind, smoke, compressed air explosions, a guy wearing a full body HEV suit, not to mention an insane menu of digital effects (I mean it, it is insane).  To top it off, make it happen in a live, functioning LA power station. You get the idea. What the hell were we thinking.

Next up Day One…